景泰藍起源年間已不可考，最初名為“銅胎掐絲琺瑯”，史家公認(rèn)因其興盛于明景泰年間，且釉色以藍色為主，故得名“景泰藍”而流傳至今。景泰藍工藝集美術(shù)、雕刻、鑲嵌、玻璃熔煉、冶金等專業(yè)技術(shù)于一體，包括制胎、掐絲、點藍、燒藍、打磨、鍍金等多道程序，具體制作是先用銅制成作品胎形，繼而用銅絲在銅胎上捏出圖案花紋，再將五彩琺瑯點填于花紋內(nèi)，最終經(jīng)燒制、磨平、鍍金而成。
We are unable to determine the time of origin of cloisonne. It was initially known as “copper padding thread weaving enamel”. Historians generally accept the notion that as it was thrived in the Jingtai Era of the Ming Dynasty and its major glazing color is blue (lan in pinyin), it got its name “cloisonne” (Jing Tai Lan in pinyin), which is still used today. The cloisonne making technique integrates multiple professional techniques, such as fine arts, sculpture, inlay, glass smelting and metallurgy. The process contains padding, thread weaving, blue coloring, blueing, polishing and gold plating, among other procedures. Specifically, the first step to produce cloisonne is to make a copper padding. Next, fabricate copper wire into decorative patterns on the copper padding, and then fill multi-colored enamel into the patterns. The last steps are burning, rubdown and gold plating.
一件精美的景泰藍器皿，其良好的造型取決于制胎；優(yōu)美的裝飾花紋出于掐絲；華麗的色彩決定于顏料的配制；輝煌的光澤則完成于打磨和鍍金。正因為景泰藍工藝復(fù)雜至極，而成品精美絕倫，如寶石流光溢彩，故歷史上有“一件景泰藍，十件官窯器”的美譽。北京是中國景泰藍的發(fā)祥地，也是最為重要的產(chǎn)地。北京景泰藍以典雅雄渾的造型、靈動多姿的紋樣及清麗莊重的色彩著稱，給人以圓融精巧、細膩工整、金碧輝煌的藝術(shù)感受，代表了中國歷史上銅胎掐絲琺瑯工藝的最高成就。
The prerequisites of a fine cloisonne are a good style, which depends on the padding, beautiful decorative patterns, which depend on thread weaving, luxuriant colors, which depend on the preparation of pigments, and brilliant luster, which is achieved by polishing and gold glazing. Since the cloisonne manufacturing technique is quite complicated, and the finished product looks so exquisite that it is as glorious as gems, the cloisonne has enjoyed a good reputation — “one piece of cloisonne equals ten artworks made in official workshops in ancient China”. Beijing is the birthplace of cloisonne and also the most important production place in China. Beijing cloisonne is famous for its elegant and vigorous modeling, vivid and rich patterns, as well as beautiful and grand colors. It gives people the artistic impression of roundness, exquisiteness, smoothness and magnificence. It represents the highest achievement of copper padding thread weaving enamel in the Chinese history.
蝶舞
Sculpture of a girl dancing like a butterfly
作者：李佩卿
材質(zhì)：銅、釉料、玉
尺寸： 290×230×560mm
Author：Li Peiqing
Material：Copper, Glaze and Jade
Size: 290×230×560mm
作品造型巧妙，少女下半身如雕塑底座穩(wěn)重，上半身纖巧玲瓏，二者形成鮮明對照，使作品有了音樂一般的節(jié)奏感，暗中呼應(yīng)“蝶舞”的主題。在色彩上，作者選用大面積金色和顯眼的藍、白色，觀之富麗燦爛又不失清新典雅。
This piece of artwork has a cleverly designed shape. The lower body of the girl serves as the steady base of the sculpture, but her upper body is so slim and tiny. The stark contrast gives this piece of artwork a rhythm like that in music, implicitly showing the theme of “dancing like a butterfly”. The application of large amount of gold and eye-catching blue and white color makes the artwork look not only luxuriant and glorious, but also refreshing and elegant.
富貴風(fēng)韻
Vase symbolizing the charm of wealth
作者：李佩卿
材質(zhì)：銅、釉料
尺寸： 430×430×700mm
Author： Li Peiqing
Material：Copper, Glaze
Size: 430× 430×700mm
作品造型別致，飽滿的瓶身、大口花瓣狀瓶口以及古樸的獸狀瓶耳組合成高貴、華麗的觀感。此外，濃烈、明艷的色彩和繁復(fù)的紋飾也大大強化了“富貴”的視覺效果。作品形制莊重，色彩富麗，做工考究，誠為經(jīng)典之作。
The style of this piece of artwork is unique and beautiful. The full vase body, wide pedal-shaped opening and monster-shaped handle with primitive simplicity make the vase look noble and luxuriant. In addition, the strong and vivid colors and the rich patterns strengthen the “wealthy” visual effect of the vase. With solemn modelling, rich colors and exquisite production techniques, this piece of artwork can be said as a classic.
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